Chud Festejo’s Nanay Tatay hailed as the Grand Champion of PhilPop Finals Night 2018
Creative,
expressive, passionate A young songwriter from Davao, Chud Festejo has a
curious opinion for the popular children’s clapping game Nanay, Tatay. Why does
the chant make the children sound demanding? Convinced that there is a bigger
reality to be addressed, he started writing a song that will then win the
hearts of the judges and the crowd of PhilPop 2018.
Nanay
Tatay, written and performed by Festejo, was the winning piece that hailed him
the Grand Champion among the ten finalists who competed during PhilPop Finals
Night 2018 on December 2, 2018 held in Capitol Commons, Pasig City
“Of
course, happy. Kahit na sa 30 songs, andaming magagaling. Ngayon, I still can’t
explain how I feel,” Festejo shares, acknowledging the tough competitors he had
during the contest run. Festejo won the grand prize of P1 Million Pesos.
Nanay
Tatay is a song that talks of the “innocence and vulnerability” of child
beggars— naive of the world they live in, and susceptible to the harm society
might inflict to them. The song gives off a dark feeling, arranged with an
eerie “horror” scoring combined with a horrendous social situation for a
message. “Kinonek ko ‘yong horror na feeling and ‘yong social situation na
nakakatakot ‘pag nandoon ka,” Festejo says.
“Hindi
sya sung usual eh. Andaming mga strong performances. But the performance (of
Nancy Tatay) was still really strong, as in I got teary-eyed listening to it.
It was a sure won for me. I was happy na, apparently a lot of people like it.”
Veteran artist and composer Ms. Trina Belamide, who is among the roster of
judges, expressed her delight with the result.
Nanay
Tatay also won the Maynilad Best Music Video with the direction of Ryan
Evangelista.
The 1st
Runner Up for the competition was Ferdinand Aragon, with his love song ‘Di Ko
Man, which he, too, himself interpreted. The song, written in Bisaya, is a
“contemporary harana”. As Aragon explains, “I just wanted to write a Bisaya
song that people can use to sing to their loved ones. They can use it in their
weddings, so the song really is a very pure and innocent love song.”
As for
2nd Runner Up Jek Buenafe, the experience can be only described in one word:
“surreal.” His composition “Ako Ako” was interpreted by his own band, Feel Day,
featuring Hans Dimayuga.
Aragon
and Buenafe received P500,000 and P200,000, respectively.
On the
other hand, ‘Yun Tayo’s songwriter Donna Onilongo, along with interpreter
Gracenote, bagged the Smart People’s Choice Award.
Selected
by the Pros Prior the event, a pool of distinguished and most respected
songwriters, music educators, and practitioners rated the quality of melody,
lyrics, lyric production, and overall brilliance of the compositions that
constitute 40% of the scores. The other 60% was determined by the ratings given
by the competition’s distinguished judges, by the following criteria: (1)
excellent craftsmanship in lyrics, melody, production, and performance, and (2)
unique qualities and universal appeal to create masterpieces that can stand the
test of time.
The
roster of judges include Mr. Verb Del Rosario, Vice President for Viva South;
Ms. Trina Belamide, artist and veteran composer; Ms. Liza Diño-Seguerra,
Chairperson of the Film Development Council of the Philippines; Mr. Randy
Estrellado, COO of Maynilad; Mr. Noel Cabangon, PhilPop Board Member; Mr. Paolo
Guico, Vocalist of Ben & Ben; and Mr. Ryan Cayabyab, PhilPop Music Festival
2018 Chairman.
The
passionate effort of the country’s circle of musical personas in selecting the
rightful winners is what makes Philpop 2018 stay true to its promise of
bringing out the next best artists in the OPM scene. Mr. Noel Cabangon shared
how the judges go through the process of deciding which the best. “Ang music
kasi very subjective. Meron ka dyang tinitingnan, like ‘yung craftsmanship, ‘yung
paggawa ng kanta, ‘yung lyrics, and then kung bagay ba ‘yung music, and of
course ‘yung performance din, sa live performance. But on the overall, syempre
pag nagjajudge ka, ano ‘yung tama sayo, ‘yung dating sayo nung kabuuan ng
music. Kasi ang music naman, una, bago natin intindihin yung lyrics,
pinapakiramdaman natin ‘yung music. And then saka natin binabalikan ‘yung
lyrics. And then of course you analyze it, tapos makikita mo naman kung pano
nagdedevelop ‘yung melody doon sa kanyang story telling.”
A Festival
of Linguistic Diversity in Music One remarkable thing that made PhilPop 2018
exceptional is opening its doors to regional music. PhilPop 2018 has defined
the beautiful diversity of the OPM genre—recognizing musical masterpieces
written in varied dialects like Bisaya and Hiligaynon, and marking the
expansion of opportunity for musical artists from different parts of the
country to be heard and appreciated.
“It’s
really something big [for the regional music scene]. Hopefully maging signal sa
mag nagsusulat din na may sariling style from different regions na PhilPop is
open talaga. If you’re a Pinoy, you can submit a song. ‘Di naman kailangang
yung nasa isip palagi yung Imperial Manila, yun kasi nasa mindset mostly ng mga
tao. Open young PhilPop, they give a chance,” Chud Festejo, the Grand Winner
from Davao, affirms.
“This is a significant year for PhilPop. The
foundation has created bold statements this year, from empowering regional
songwriters to join the competition to dispelling the oldformat that star power
is required for a winning song. We have a relatively unknown but talented
songwriter from Davao who won the competition, and who was a product of the
PhilPop Songwriting Boot camp in Davao in 2017.”
PhilPop
Executive Director Dinah Remolacio proudly states the vision of PhilPop to
uplift regional music. PhilPop is yet on its 7th year of an unending legacy of
enriching OPM. Moving forward, aspiring songwriters can continue making their
dreams come true with PhilPop, as they are still up for greater actions in the
years to come.
“Definitely, the Songwriting Boot Camp will
push through in 2019 that will prepare us for the big 2020 music festival
again. It’s gonna be every two years,” PhilPop Executive Director Dinah
Remolacio assures. PhilPop Executive Director Dinah Remolacio assures. PhilPop
2018 is an initiative of the PhilPop Music Foundation, chaired by Mr. Manny V.
Pangilinan.
This
year's PhilPop is co-presented by MAYNILAD, and is supported by MERALCO (major
sponsor), Mid Atlantic Foundation for Asian Artists, Inc., NYXSYS (official OOH
partner), SMART, VIVA Records (official record label partner), Ortigas and Co.,
PETA (production partner), Coke Studio, NCCA, OPM, TAGA-ALOG, Rappler (official
media partner), Pinnacle (official agency integrator partner), and Gabi Na
Naman Productions (official promo partner)
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